|
Here are all the paintings of TENIERS, David the Younger 01
| ID |
Painting |
Oil Pantings, Sorted from A to Z |
Painting Description |
| 9220 |
 |
A View of Het Sterckshof near Antwerp r |
c. 1646
Oil on canvas, 82 x 118 cm
National Gallery, London
|
| 41028 |
 |
Apes in a Kitchen |
mk159
mid-1640s
Oil on canvas
transferred from panel
36x50.5cm
|
| 9204 |
 |
Apes in the Kitchen fdh |
Oil on canvas transferred from wood, 36 x 50,5 cm
The Hermitage, St. Petersburg |
| 9205 |
 |
Archduke Leopold Wilhelm in his Gallery fyjg |
c. 1647
Oil on copper, 106 x 129 cm
Museo del Prado, Madrid |
| 9206 |
 |
Archduke Leopold Wilhelm of Austria in his Gallery fh |
1651
Oil on canvas, 96 x 129 cm
Mus??es Royaux des Beaux-Arts, Brussels |
| 40479 |
 |
Archduke Leopold william in his gallery at Brussels |
mk156
c.1651
Oil on canvas
123x163cm
|
| 9213 |
 |
Before the Inn fy |
Oil on panel, 37 x 49 cm
Koninklijk Museum voor Schone Kunsten, Antwerp
|
| 9215 |
 |
Flemish Kermess fh |
1652
Oil on canvas, 157 x 221 cm
Mus??es Royaux des Beaux-Arts, Brussels |
| 9216 |
 |
Flemish Kermess kh |
1640
Oil on panel, 32 x 58,5 cm
Staatliche Museen, Berlin |
| 22382 |
 |
Kitchen Scene (mk14) |
1644
Oil on copper 75 x 77.8 cm
Mauritshuis,The Hague |
| 9210 |
 |
Kitchen Scene sg |
1644
Oil on copper, 75 x 77,8 cm
Mauritshuis, The Hague |
| 24282 |
 |
Peasants dancing outside an Inn (mk25) |
c 1645 |
| 9217 |
 |
Peasants Dancing outside an Inn wt |
1645-50
Oil on canvas, 135,3 x 205,1 cm
Royal Collection, Windsor |
| 9218 |
 |
Peasants Merry-making wt |
c. 1650
Oil on canvas, 69 x 86 cm
Museo del Prado, Madrid |
| 9219 |
 |
Return from the Hunt r |
1670
Oil on panel, 28 x 35 cm
Koninklijk Museum voor Schone Kunsten, Antwerp |
| 63955 |
 |
Temptation of St Anthony |
26,4 x 36,6 cm Museum Mayer van den Bergh, Antwerp , Artist: TENIERS, David the Younger , Temptation of St Anthony , 1651-1700 , Flemish , painting , religious |
| 9209 |
 |
The Gallery of Archduke Leopold in Brussels |
1641
Oil on canvas, 96 x 128 cm
Staatsgalerie, Schleissheim |
| 9208 |
 |
The Gallery of Archduke Leopold in Brussels at |
1640
Oil on canvas, 96 x 128 cm
Staatsgalerie, Schleissheim
|
| 9207 |
 |
The Gallery of Archduke Leopold in Brussels xgh |
1639
Oil on canvas, 96 x 128 cm
Staatsgalerie, Schleissheim
|
| 9211 |
 |
The Kitchen t |
Oil on canvas
The Hermitage, St. Petersburg |
| 63954 |
 |
The Temptation of St Anthony after |
1640 Oil on oak, 52,5 x 81,5 cm Wallraf-Richartz Museum, Cologne The temptations or trials of St Anthony, who was tormented by spectres, witches and devils while living as a hermit among the barren cliffs, had often been depicted in Netherlandish painting. The basic type of mountain cliffs and fantastic figures in human and animal forms shows a clear relationship to Bosch and Bruegel. As well as peasant scenes, landscapes and mythology, Teniers had an interest in depicting ghosts, witches and alchemists. , Artist: TENIERS, David the Younger , The Temptation of St Anthony , 1651-1700 , Flemish , painting , religious |
| 9214 |
 |
The Village Feast gh |
1646
Oil on canvas, 98 x 130 cm
The Hermitage, St. Petersburg |
| 33715 |
 |
Twelfth Night |
mk86
c.1634-1640
Oil on canvas
58x70cm
Madrid,Museo del Prado
|
| 9212 |
 |
Twelfth-night (The King Drinks) ar |
1634-40
Oil on canvas, 58 x 70 cm
Museo del Prado, Madrid |
| 9221 |
 |
Village Feast dtg |
Oil on canvas, 53 x 98 cm
Rockox House, Antwerp |
| 9223 |
 |
Village Scene ar |
Oil on oak, 29,4 x 25,5 cm
Wallraf-Richartz Museum, Cologne |
| 9222 |
 |
Village Scene ut |
Oil on canvas
National Gallery, Prague |
|
|
| TENIERS, David the Younger
|
| Flemish Baroque Era Painter, 1610-1690
a Flemish artist born in Antwerp, was the more celebrated son of David Teniers the Elder, almost ranking in celebrity with Rubens and Van Dyck. His son David Teniers III and his grandson David Teniers IV were also painters. His wife Anna nee, Anna Breughel was the daughter of Jan Brueghel the Elder and the granddaughter of Pieter Bruegel the Elder. Through his father, he was indirectly influenced by Elsheimer and by Rubens. The influence of Adriaen Brouwer can be traced to the outset of his career. There is no evidence, however, that either Rubens or Brouwer interfered in any way with Teniers's education, and Smith (Catalogue Raisonn) may be correct in supposing that the admiration which Brouwer's pictures at one time excited alone suggested to the younger artist his imitation of them. The only trace of personal relations having existed between Teniers and Rubens is the fact that the ward of the latter
|
|
